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The Covenant of Water–Indian multigenerational saga

The Covenant of Water

By Abraham Verghese

Fourteen years in the making, 724 pages long, this saga that mainly takes place in India will stay with readers long after they have finished reading it. This story spans the years 1900 to 1977 and begins with the arranged marriage of a twelve year old girl who is given years to mature and grow into her role before the marriage is consummated. She becomes the matriarch of the family and is known as Big Ammachi. The family has a secret, a curse they refer to as The Condition. At least one person, usually male, in each generation has died of drowning in a country where water is everywhere.

The reader takes a deep dive into the relationships that occur over the years in this area inhabited by St. Thomas Christians. The people in the community have a Christian faith, but it is interwoven with other cultural traditions. Big Ammachi’s husband Thamb’ran has the condition and was not allowed to travel by water to school. Therefore, he is an intelligent man, but has never learned to read. He also has a hearing loss.

Just when the reader has a grasp on these characters and the plot, the story jarringly transitions to Glasgow, Scotland, in 1919, where we meet Digby Kilgour, a surgeon, and become acquainted with the caste system. Although the transfer seems sudden, the plot soon moves back to Parambil in India where it is discovered that beloved Baby Mol suffers from a medical situation that will leave her childlike all of her life.

The Covenant of Water is too long for a reviewer to detail all of the events concerning the many characters. The plot is intricate and seemingly unconnected threads are eventually woven into other threads to create beautiful scenes full of emotion and love which cross many generations. There are tragedies and victories, happiness and great sadness. Heroic actions save lives and cause personal suffering. Writing and art are tools for healing. The World War brings death to many as Japan bombs Madras in India, but also inspires Indians to seek their freedom from Great Britain. There are births under primitive conditions, the arrival of electricity, and the release of Nehru after three years of imprisonment. Fire causes permanent damage as does leprosy, but with an undercurrent of faith, there is also healing and joy. Water is a powerful theme as the water flows through the land uniting all the characters with none of them having to stand alone because they are connected by the water—physically and emotionally. Story is important to this author and more important than themes and messages. As the story unfolds, however, Verghese reveals deep meanings and understandings of human nature in his beautiful writing. Although he labored over this saga for years, the telling seems to be effortless and replete with memorable lines and phrases. It is a masterpiece of fiction that readers will want to discuss and revisit for years to come.

Rating: 5/5

Category: Fiction

Notes: I am not normally a fan of celebrity book clubs, but I listened to Oprah Winfrey’s six part discussion (available on YouTube) of The Covenant of Water with author Abraham Verghese. It is a great interview and includes Verghese reading some passages from the book. It offers interesting insights into the writing process. I don’t usually listen to audio books because of hearing issues, but I could tell that Verghese’s reading of his book would be a positive addition to the enjoyment of The Covenant of Water

It is a long book, but I think most people in my book club enjoyed it. One member shared a 5 page list of characters she found online. Because the book is so long, I would suggest readers explore that possibility or create their own list as they read.

Publication:   May 2023—Grove Press

Memorable Lines:

The grandmother is certain of a few things: A tale that leaves its imprint on a listener tells the truth about how the world lives, and so, unavoidably, it is about families, their victories and wounds, and their departed, including the ghosts who linger; it must offer instructions for living in God’s realm, where joy never spares one from sorrow. A good story goes beyond what a forgiving God cares to do: it reconciles families and unburdens them of secrets whose bond is stronger than blood. But in their revealing, as in their keeping, secrets can tear a family apart.

“Are we not doing some good here, Honorine?” he asks gently. She looks at him kindly. “Aye, bonny lad, you are! Us all are! Our hospital, the railways and telegraphs. Plenty good things. But it’s their land, Digby, and we take and take us. We take tea, rubber, take their looms so they must buy our cotton at ten times the cost…”

“Half my life is spent on trains. Strangers of all religions, all castes getting on so well in a compartment. Why not same outside train? Why not simply all getting along?” Arjun looks out of the window and swallows hard.