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Crazy Brave–memoir of the U.S. Poet Laureate

Crazy Brave

by Joy Harjo

When the Poet Laureate of the United States writes a memoir, you can expect it to deviate from the standard timeline format, and Joy Harjo’s Crazy Brave is anything but formulaic. She divides her book into four parts according to compass directions. As a Creek Indian, directions, nature, art, music, and family provide her orientation to life. Each section begins with poetic prose. 

“East is the direction of beginnings.” She begins her tale this way and it is a little difficult to settle into the story as she shares her views from the eyes of a child filled with a mix of fear and adoration.

“North is the direction where the difficult teachers live.” In the second  section, Harjo shares the realities of a brutal and abusive childhood in a time and culture that viewed spousal and child abuse and drunkenness as family problems to be either dealt with or endured within the family. After I read the book, I learned later through a webinar that this section was a very difficult one for Harjo to write. In fact, she got stuck for years on this part of her story with the book taking fourteen years to complete. There is redemption in her story, however, as education offers Harjo, as a teenager, a way out of her circumstances.

“West is the direction of endings.” In this section, Harjo describes her young adulthood as she becomes a teenage mother and finds herself trying to live in poverty, at odds with her mother-in-law, and responsible for a stepchild. What happened to her hopes and dreams for a creative life?

“South is the direction of release.” Probably the most poetic and visionary of the sections, “South” continues Harjo’s fight to survive but also interprets her dreams and visions as short stories and poems. She creates an interesting mix of fiction and nonfiction in her writing featuring monsters, eagles, demons, and ancestors.

Harjo describes her panic attacks as monsters. She labels the instincts   that help guide her decision making as the “knowing.” She refers to her ancestors, those who have passed, as guardians in her life, and she speaks to them through her poetry. This memoir is a mix of what really occurred, her perceptions of those events, and flights of fantasy taken from her dream world; she melds poetry and prose in mind bending impressions. 

Crazy Brave personalizes for me the individual and tribal struggles of Native Americans. Although the abuse tied to alcoholism is difficult to read about, it is an important part of Harjo’s experiences and of understanding  the Native culture that helped shape her voice as an author and artist.

Rating: 4/5

Category: Memoir

Notes: Harjo is currently writing another memoir to continue her story where Crazy Brave left off.

Publication:   July 9, 2012—W.W. Norton & Co.

Memorable Lines:

Because music is a language that lives in the spiritual realms, we can hear it, we can notate it and create it, but we cannot hold it in our hands. Music can help raise a people up or call them to gather for war.

Though I was blurred with fear, I could still hear and feel the knowing. The knowing was my rudder, a shimmer of intelligent light, unerring in the midst of this destructive, terrible, and beautiful life. It is a strand of the divine, a pathway for the ancestors and teachers who love us.

It was in the fires of creativity at the Institute of American Indian Arts that my spirit found a place to heal. I thrived with others who carried family and personal stories similar to my own. I belonged. Mine was no longer a solitary journey.

Accessories to Die For–Santa Fe settings

Accessories to Die For

by Paula Paul

Accessories to Die ForPaula Paul has written a cozy mystery set in Santa Fe and tribal lands near there. As a New Mexican resident for many years, I find her use of this setting well done and effective in Accessories to Die For. She incorporates the drug problems that are all too prevalent there and the Native American culture that binds Catholicism with ancient religious beliefs. Paul showcases the tourist impact and the artisan craftsmanship.

If the author did all of that so well, why am I not excited about this book? I think it is the characters; they are just not very likable. Irene has given up her law career to be with her aging and still self-centered mother Adelle. There is a potential love interest with P.J. an attorney. Both lawyers make bad choices and do stupid (illegal) things along with jewelry artist Juanita who is looking for her druggie son Danny. There is a murder, several assaults, and a major theft. When it is all sorted out, the person who is able to lay out the facts and relationships is realistically the least likely to be able to do so.

I would like to extend my thanks to netgalley.com and to Random House (Alibi) for giving me the opportunity to read this book in exchange for an honest review.

Rating: 3/5

Category: Mystery

Notes: #2 in the Irene’s Closet Series

Publication:  December 5, 2017—Random House (Alibi)

Memorable Lines:

Danny Calabaza gave the flute its voice as he sat on a low hill that was sparsely carpeted with the brown and white grass of his tribal land. He had crafted the instrument himself from a piece of cedar wood in the manner of his grandfathers—hollowed from a branch, not split and glued together as some men did now.

The sweet scent of piñon fires wafted around her. It was a seductive scent, promising chile stew and fry bread cooked over the fires as well as warm loaves of bread pulled from the piñon-stoked hornos.

P. J. cleared his throat—something he never did in front of a prosecuting attorney. When a lawyer cleared his throat in a courtroom, it made him appear nervous. But there was something about this woman that threw him off balance. No, he wouldn’t go there. He would just look her in the eye and speak.