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Liturgy of the Ordinary: sacred practices in everyday life

Liturgy of the Ordinary

by Tish Harrison Warren

Liturgy is the form or pattern that a church service follows. It may be a general and loose sequence or it may be highly structured as followed by Anglicans and other denominations that use The Book of Common Prayer. In Liturgy of the Ordinary, Tish Harrison Warren connects our daily routines to the rituals and patterns of the Christian life from our waking in the morning to our rest at the end of the day. Along the way she examines our search for lost objects and ties it into confession and repentance. She discusses quarrels within the family and how as Christians we are called to extend peace or shalom. Warren dissects how we look at time and at community. She suggests savoring the good gifts of God in our everyday life, but discourages overindulgence in pleasure lest it become an addiction, trapping us in the cycle of wanting more.

Liturgy of the Ordinary is a wonderful book for individual enjoyment and study or for sharing with a group. It is a book that takes simple concepts and invites a deeper dive. Warren is an excellent writer. The book is full of wisdom from both Warren and those she has studied. She invites the reader to look at everyday routines in a new way. The book is replete with anecdotes and quotes. Above all, Warren is open and honest; readers will see themselves in her struggles and her revelations. She makes the mystery of living out the Christian life in this broken world both real and accessible.

Rating: 5/5

Category: Christian, Nonfiction

Notes: Includes Discussion Questions, Practices, and a Bibliography

Publication: 2016—InterVarsity Press

Memorable Lines:

Waiting, therefore, is an act of faith in that it is oriented toward the future. Yet our assurance of hope is rooted in the past, in the person of Jesus of Nazareth and in his promises and resurrection. In this way, waiting, like time itself, centers on Christ—the fulcrum of time.

Christian friendships are call-and-response friendships. We tell each other over and over, back and forth, the truth of who we are and who God is…My best friendships are with people who are willing to get in the muck with me, who see me as I am, and who speak to me of our hope in Christ in the midst of it. These friends’ lives become a sermon to me.

The words of the liturgy felt like a mother rocking me, singing over me, speaking words of blessing again and again. I was relaxing into the church like an overtired child collapsing on her mom. When my husband and I would get into the car after church each week and talk about the service, I would say to him, “It feels like chamomile tea.”

Death Comes for the Archbishop–New Mexico frontier

Death Comes for the Archbishop

by Willa Cather

Every well-read person should have read at least one book by Willa Cather, an American Pulitzer Prize winning author famous for her novels set in the frontier. When my book club decided recently to read Death Comes for the Archbishop, I had not read any of Cather’s books. I was delighted that the choice was one that focused on the history of the Catholic church in New Mexico where I currently live. The novel provides as a backdrop a tour of cities, towns, pueblos, and open deserts inhabited by foreign priests, Mexicans, and Indians. Cather paints beautiful word pictures of the landscapes while depicting the difficulties of life, and especially travel, as two French priests attempt to revive the Catholic religion in the region. Churches had been planted over three hundred years earlier but did not receive much attention from Rome. With the annexation of new territories by the U.S., things begin to change in a land viewed as “wild” for many reasons. It is ruled over by the Bishop of Durango located in Mexico, fifteen hundred  miles away from Santa Fe where the missionaries headquartered. 

Jean Marie Latour, a parish priest based in the Lake Ontario region is elevated to bishop arriving in New Mexico in 1851 after a difficult and dangerous year long journey. He is accompanied by his childhood friend Father Joseph Valliant.  Despite its title, Death Comes for the Archbishop is not a murder mystery nor does it focus on the death of the Archbishop. Instead, it is a triumphant tale of strong, wise, and intelligent men who against all odds form friendships with peoples of various tribes, cultures, and languages in a harsh but beautiful land. The descriptive language is exquisite and serves to enhance and further the plot. This book celebrates the usually successful struggles for survival and the somewhat successful attempts to share the Catholic religion. In the Archbishop’s passing, it becomes evident that he was much loved and respected by the peoples of the many cultures in his diocese.

Death Comes for the Archbishop is a tale I would enjoy rereading for the breadth of its descriptions and the depth of its topics. The two Fathers were men I would enjoy meeting. Quite unalike physically and in disposition, they were fast and loyal friends with different means of evangelism, but suitable to their characters. Although this book has a specific setting in terms of time period and location and has characters with a religious profession, its themes of devotion, strength, and friendship transcend the New Mexico frontier of the 1850’s and the Catholic priesthood. Although the specifics were interesting and an effective vessel for the themes, the novel proves Cather to be, above all, an able storyteller. I had no regrets in reading this work of historical fiction based on the lives of two missionaries, and I highly recommend it.

Rating: 5/5

Category: Historical Fiction

Publication: June 15, 1927—Reading Essentials

Memorable Lines:

Everything showed him to be a man of gentle birth—brave, sensitive, courteous. His manners, even when he was alone in the desert, were distinguished. He had a kind of courtesy toward himself, toward his beasts, toward the juniper tree, before which he knelt, and the God whom he was addressing.

There was a reassuring solidity and depth about those walls, rounded at doorsills and windowsills, rounded in wide wings about the corner fireplace. The interior had been newly whitewashed in the Bishop’s absence, and the flicker of the fire threw a rosy glow over the wavy surfaces, never quite evenly flat, never a dead white, for the ruddy colour of the clay underneath gave a warm tone to the lime-wash.

This mesa plain had an appearance of great antiquity, of incompleteness; as if, with all the materials for world-making assembled, the Creator had desisted, gone away and left everything on the point of being brought together, on the eve of being arranged into mountain, plain, plateau.