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Frankenstein: The Modern Prometheus
Frankenstein
by Mary Shelley
with A Guide to Reading and Reflecting by Karen Swallow Prior
What do you think of when you hear the word “Frankenstein?” For many, that name conjures up an ugly monster pieced together from the flesh of others. A quick Internet search of images associated with that name bring up iconic pictures that are a part of our popular culture. Many movies have been made of the book Frankenstein as well as versions and spin-offs of the Gothic novel. In truth, Victor Frankenstein is the name of the scientist who created the monster who was never named in the book, but may be referred to as “The Creature.”
Clearly a classic, Frankenstein, was the creation of 18 year old Mary Shelley as a result of a dreary day’s writing contest with a small group of men, that included her husband the poet Percy Bysshe Shelley and Lord Byron. The little group fought to overcome the ennui of the season. Mary Shelley won and her story was first published anonymously.
The structure of the story is initially a little confusing, but it becomes clearer as the tale progresses. Captain Robert Walton’s narrative frames the story with his recounting, as his ship headed to the North Pole, of the sighting of an unknown creature and then the rescue of a man who was pursuing the creature. Much of the book is epistolary as Walton shares the story of Victor Frankenstein’s life with his sister in England.
The reader is also given the Creature’s viewpoint. At eight feet tall and very different looking, he is viewed as a threat. At times the reader might feel some sympathy for him as he wants love and acceptance, but he also reveals a murderous side. When he realizes he will never be integrated into human society, he approaches Victor with the idea of creating a woman to be his wife. This request ignites another ethical dilemma for Victor who has already ignored his moral obligations when he gave life to the Creature and then abandoned him. His bad decisions turn his life and that of his loved ones into tragedies.
The editor of this volume, Karen Swallow Prior, is a Professor of English and Christianity and Culture. She states that the major themes of Frankenstein are “creation, creator, guilt, ambition, reason vs. emotion, nature vs. nurture, friendship, sexuality.” She points out that Shelley does not write from a biblical point of view, but that these themes are timeless. This is obviously a complicated book and important in terms of its effects on our culture. The editor Prior attempts to make it more accessible in her introduction and in the background she presents about the time in which it was written. Not an easy read, Frankenstein offers a lot of food for thought. The reader will probably argue with the characters over their motivations and actions and will be hard pressed to find a likable character among them. Victor Frankenstein, in particular, proves over and over again that he is self-centered. His own happiness and a fulfilled ego are so important to him that his emotions swing wildly and greatly affect his health while he disregards how his actions hurt others.
Rating: 4/5
Category: Fiction, Gothic, Classic, Christian
Notes: 1. The editor ends each section (volume) with Reflection Questions which are a wonderful resource for individuals or groups studying Frankenstein. She also includes Questions for Further Reflection which address the whole book.
2. The appendix adds the introduction to the 1831 edition.
3. Prior has helpful footnotes on the appropriate pages to define words that are unfamiliar to readers in the twenty-first century.
4.Frankenstein is subtitled The Modern Prometheus pointing to the tension between a creation and its creator.
5. Although Frankenstein is not a Christian novel, Prior’s goal is to show readers how to approach it from a Christian viewpoint and to the glory of God
6. Prior has a series of classics that she has edited in a similar way. I have read several of these with my Book Club. Some have been more enjoyable than others, but all have resulted in good discussions.
7. This was written during the transitional period from Enlightenment to Romanticism.
Publication: 1818—Original publication
2021—(as edited by Prior) B&H Publishing
Memorable Lines:
I entered with the greatest diligence into the search of the philosopher’s stone and the elixier of life. But the latter obtained my most undivided attention: wealth was an inferior object; but what glory would attend the discovery. If I could banish disease from the human frame, and render man invulnerable to any but a violent death!
I was benevolent and good: misery made me a fiend. Make me happy and I shall again be virtuous.
“Hateful day when I received life!’’ I exclaimed in agony. ‘’Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust? God, in pity, made man beautiful and alluring, after his own image; but my form is a filthy type of yours, more horrid even from the very resemblance. Satan had his companions, fellow-devils, to admire and encourage him; but I am solitary and abhorred.”
Earth’s the Right Place for Love–young love and friendship
Earth’s the Right Place for Love
by Elizabeth Berg
I have read several novels by Elizabeth Berg. She excels at writing character driven novels. The first book I read by her was The Story of Arthur Truluv. I was enchanted by the character of Arthur, a kind, nonjudgemental, gentle, elderly man. In Earth’s the Right Place for Love, Berg returns to the character of Arthur as a sixteen year old. We learn that Arthur was the kind of person you could trust even as a teenager. He was always different from his peers. Never interested in sports, Arthur loved nature, especially plants. Most of the book follows his love for Nola who was cute, popular, and enjoyed Arthur’s friendship. Arthur wanted more, but never pushed for more from Nola who was very interested in Arthur’s older brother Frank.
I almost stopped reading the book during the first part because of physical abuse that happened when Arthur’s father was drunk. Those passages are not graphic but recognizing the occurrences is unavoidable. They ended about one-third of the way into the book. I was glad I just pushed on through as the rest of the book was so good. There is sadness to the book, but is is also a hopeful book with the main character mostly optimistic and patient.
Besides Arthur and Nola, Frank is another likable main character. He is bold, good at sports, and appeals to women. A sounding board and mentor for Arthur, Frank’s goal is to become a writer. The brothers’ relationship and Frank’s story are important parts of this novel. Their mother models love based on commitment. At times her actions make her seem weak, but actually she is strong and determined to keep her family together.
I received a complimentary copy of this book in exchange for an honest review. Opinions expressed in this review are completely my own.
Rating: 4/5
Category: General Fiction, Literary Fiction, Women’s Fiction
Notes: 1. Although the protagonist, Arthur Moses, is the same Arthur as found in The Story of Arthur Truluv, this novel is about Arthur as a boy and young man. The stories are not dependent on each other.
2. The setting of the story is the small town of Mason where Berg has set three other novels.
3. Warning of potential trigger for some readers: references to physical abuse.
Publication: March 21, 2023—Random House
Memorable Lines:
If nothing else, Arthur had learned this: love came in without knocking and stayed without your permission. And when hard times came between you and the one you loved, you didn’t run away. You stayed. His mother had told him that. His mother had demonstrated that.
“Remember, Pop was an orphan. And he didn’t get adopted until he was ten.” “Yeah, so?” “So it makes a difference, Arthur. Pop’s got a hole we won’t ever fill.”
The natural world was better than anything. He couldn’t say in words what it gave him, but he could feel it the minute he stepped outside: a kind of expansiveness and peace.
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