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The Silver Chair–the rescue of a prince
The Silver Chair
by C. S. Lewis
Eustace, who became a changed person for the better in C. S. Lewis’ The Voyage of the Dawn Treader, is given another opportunity to visit Narnia. He and Jill, a school friend, escape bullies by slipping through an unlocked gate at the school. Aslan, the Lion, has orchestrated the adventure to send them on a mission to locate the missing Prince Rilian who has been under the spell of a witch for ten years.
They are accompanied by Puddleglum, a Marsh-Wiggle, a delightfully morose character who can always find the potential bad in any situation. Despite his melancholy disposition, he proves to be a loyal, trustworthy, and brave companion. He also provides some levity for the reader during the perilous adventures.
Aslan gives the children four signs to follow. Their intentions are good, but they are not entirely successful. They escape from deceptive, hungry giants and are captured by Earthmen who take them to the Deep Realm in the Underland. When they find Prince Rilian, they have to decide on following his instructions or relying on the signs Aslan has given them.
As in all of The Chronicles of Narnia, The Silver Chair can be enjoyed as a fantasy or with little effort as a tome replete with symbolism. In this allegory, Aslan represents Jesus who is both the Lion and the sacrificial Lamb in the Bible, and the children are his followers. He provides direction and guidance, but his followers still have choices. One outstanding example of the Biblical parallel is when Prince Rilian declare to the children that “Aslan will be our good lord, whether he means us to live or die.” This same sentiment is uttered by Shadrach, Meshach, and Abednego in the Old Testament when they are threatened by King Nebuchadnezzar with being thrown into a furnace. They respond “our God whom we serve is able to deliver us from the burning fiery furnace, and he will deliver us out of your hand, O king. But if not, be it known to you, O king, that we will not serve your gods or worship the golden image that you have set up.” (Daniel 3: 17 & 18 ESV).
The Silver Chair is the fourth book in The Chronicles of Narnia for me. I expected that I would not like any as much as the first, The Lion, the Witch, and the Wardrobe. To my surprise, I have enjoyed all of them almost equally. Each one is fresh and engaging. The setting and characters overlap, but each adventure has the addition of new characters and stands on its own merits.
Rating: 5/5
Category: Children’s Fiction, Christian
Publication: 1953—Harper Collins
Memorable Lines:
“The bright side of it is,” said Puddleglum, “that if we break our necks getting down the cliff, then we’re safe from being drowned in the river.”
And though you might have expected that the idea of having a good time at Harfang would have made them more cheerful, it really made them more sorry for themselves and more grumpy and snappy with each other and with Puddleglum.
“And the lesson of it all is, your Highness,” said the oldest Dwarf, “that those Northern Witches always mean the same thing, but in every age they have a different plan for getting it.”
Killalot–Oi! Cockney accented belly dancer?
Killalot
by Cindy Brown
One of the things I like best about the Ivy Meadows Mystery Series is the breadth of concept, the latitude, that the author Cindy Brown has given herself and her main character, Olive Ziegwart, known by the stage name of Ivy Meadows. Ivy is an aspiring actress and to put bread on the table while working whatever roles she can nab, Ivy works part time for her Uncle Bob, who owns his own P.I. agency. Uncle Bob has always been nicer to her than her own parents, and he is training her in detective work. Because of her dual employment, Ivy legitimately encounters lots of interesting cases, and the books can have a variety of settings and characters.
In Killalot, the title being a takeoff on Camelot, Ivy is hired to investigate a murder which she and the rest of the audience at a jousting contest actually witness at a Renaissance Faire. You would think it would be easy to solve a crime you observe, but that is not the case.
I learned quite a bit about Renaissance fairs and birds of prey which were popular in medieval times such as falcons. There is quite an intermix of interesting characters between the Faire and Ivy’s work for a playwright who is trying to create an innovative musical production based on both the Kennedy’s and Camelot. Ivy gets to stretch her acting talents as a belly dancer and as “Marilyn Monroe.”
Danger lurks in the darkness and secrets abound in both worlds. Meanwhile, Ivy has to reach deep inside herself to conquer an old phobia and discover what is more important in her personal arena—her career or her relationship with Matt. Both her mentally disabled brother, Cody, and her Uncle Bob have some words of wisdom for her as she struggles in body, mind, and soul for resolution and peace in this cozy mystery. A good series; a good book!
I would like to extend my thanks to Edelweiss and to Henery Press for giving me the opportunity to read this book in exchange for an honest review.
Rating: 5/5
Category: Mystery
Notes: #6 in the Ivy Meadows Mystery Series, but works well as a standalone.
Publication: November 15, 2018—Henery Press
Memorable Lines:
I knew that living in denial was no good, but I also knew that it was a valuable tool, a way of putting off the tough emotional work until you were strong enough to tackle it.
“After Cody’s accident you went from being a sunny outgoing kid into a little snail curled up in a shell. The only time you poked your head out was when you were onstage. And even then, that was as a character, not as yourself.”
A ball of warmth began to glow inside me, making me warm and light and near to bursting with happiness, like Scrooge when he realizes it’s still Christmas; like George Bailey when he realizes he still has his wonderful life.
