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Killers of a Certain Age–all-female assassin squad
Killers of a Certain Age
by Deanna Raybourn
It is with mixed feelings that I review Killers of a Certain Age. I think I wanted it to have the same vibes as The Thursday Murder Club by Richard Osmond, but that is not really fair. I knew going in that the story was about a group of retired female assassins, but that summary does not encapsulate Deanna Raybourn’s story satisfactorily.
The beginnings of the larger group which calls itself by the code name “the Museum” are people who were frustrated at the escape of so many Nazis who were slipping away from (and sometimes with the help of) various governments after World War II. They decided to pursue justice. When most of the Nazis had been tracked down and “disposed of,” they turned their attention to other “targets that had been scrupulously vetted and chosen because their deaths would benefit humanity as a whole.” Their mission was to bring justice, not to pursue what was lawful. Bottom line: the end justifies the means. The philosophy underlying the plot makes me uncomfortable. I am trying to disregard those feelings as I review the book.
Killers of a Certain Age has four main characters, the women who spent the last forty years killing specific targets only as assigned. They were not allowed to have outside contracts. These agents were chosen, recruited, and trained by the administration of the Museum. They trusted the board members and fully expected to live out their retirement years with a good pension. Unfortunately, there are political happenings with the organization and putting out a “hit” on these women is part of the fallout.
The backgrounds of the assassins are interesting as well as their relationships with each other. The story is told by relating current events as well as including chapters that reveal the details of prior assignments. The women are well-trained and use their respective skills to compensate for the decline of physical strength and flexibility brought on by age. The reader has a first-hand view of their plan to save themselves without hurting innocent bystanders.
Although I didn’t enjoy Killers of a Certain Age, I did appreciate the women’s attempts at dark humor. I commend the author for her writing skills and her creation of a complex plot. My favorite aspect of the book lies in the ingenious codes used to communicate secretly. I’m sure that a lot of readers will give the book two thumbs up, but it was just not the right read for me.
I received a complimentary copy of this book in exchange for an honest review. Opinions expressed in this review are completely my own.
Rating: 4/5
Category: Fiction, Mystery, Suspense
Notes: Lots of violence and bad language
Publication: September 6, 2022—Berkley (Penguin Random House)
Memorable Lines:
The tunnel led into a courtyard bordered by four brick buildings, each one more decrepit than the last. The facades, linked by galleries and staircases, leaned against each other for support like elderly women having one last gossip.
We looked like a girl gang that would have the Queen as our leader, all low heels and no-nonsense curls. Mary Alice had even tucked butterscotch candies in her purse, which she handed out to porters in lieu of tips.
Two good hits and the lock dropped off. “Subtle,” she said. “Natalie, I’m tired, I am covered in mud that is at least seventy percent dead people, and I am hungry. Do not test me.”
A Certain Darkness–could WWI have ended sooner?
A Certain Darkness
by Anna Lee Huber
Lord Ardmore—a good name for an evil person. Although he is not physically present in A Certain Darkness, his influence and machinations pervade the events of this spy novel. Verity Kent and her husband Sidney are a rich and glamorous couple who are both well known in the intelligence circle for undercover work for the British during WWI. Sidney is also a war hero. In this book, they are once more called into service by their country to discover potentially damaging evidence.
In this action packed drama, Verity and Sidney don’t know whom to trust as they try to uncover how a murder occurred on a train and in a jail cell without anyone seeing either crime. Verity is a polyglot, a helpful skill as the couple interacts with French, German, Dutch, and Flemish speakers. One of my favorite scenes involves Verity speaking in their language to someone who is previously unaware that she can understand their conversations with others—rather embarrassing for the speaker.
The plot is complicated because the events that occurred during and after the war are quite complex. Just when I thought I wasn’t enjoying the book because of the intricate historical references, the action and intrigue picked up and I couldn’t wait to read what would happen next.
Both characters suffer from the horrors and stresses of the war, but there are some mental and emotional breakthroughs for both of them in this book. Whereas in the first book I read in the series (#2) I found the couple rather frivolous, I have come to like and respect both of them as I have gotten to know them better. There has also been more character development with each book. If you are interested in history or like spy mysteries, you will enjoy this series including A Certain Darkness. It closes out with a very important hook that will keep me and other readers anxious to read the next book in the series.
I received a complimentary copy of this book in exchange for an honest review. Opinions expressed in this review are completely my own.
Rating: 4/5
Category: Mystery, Historical Fiction
Notes: 1. #6 in the Verity Kent Mystery Series. I do not recommend this book as a standalone. There is just too much necessary background provided in the previous books.
2. Clean.
3. One of the themes of this book concerns the ending of WWI. I did an Internet search on this topic and found this is a concern for some historians. In her introduction, Huber lists a recently published nonfiction book on this subject that she used as a resource for her fiction book.
Publication: August 30, 2022—Kensington
Memorable Lines:
Much of intelligence gathering in general was accepting that there were few total victories, few clear choices of right and wrong. Everything was shaded in gray. One had to make judgment calls, constantly wagering possible sacrifices versus gains. Sometimes you got it right and sometimes you got it wrong. But whatever the outcome, you had to swallow the guilt and disgust such decisions and compromises at times wrought.
I recognized what game he was playing, for he’d learned it from the best. After all, Lord Ardmore didn’t simply aim to outwit his opponents, but to corrupt and demoralize them. To turn them against themselves, against their very morals.
“I’d accepted long ago that the war was utterly senseless.” His voice rasped as if being dragged from the depths of his lungs. “That I was simply stuck. Just a little cog in a great monstrous machine that couldn’t be stopped and would one day consume me as well.”
education pathways 