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The Importance of Being Earnest : A Trivial Comedy for Serious People
The Importance of Being Earnest
by Oscar Wilde
There is probably no better work to evoke book club discussion than Oscar Wilde’s famous satirical play The Importance of Being Earnest. The extreme characters as well as the situation are the source of humor as Wilde mocks the customs and manners of Victorian England. In our discussion we examined parody, satire, and sarcasm, when each is appropriate, and their potential hurtful nature. We also talked about what constitutes humor.
Wilde’s characters border on the absurd. The women are fluff, the men are profligates who nevertheless think highly of themselves, and no one tells the truth. In fact, the lies that both male protagonists have told are the basis of the humorous confusions in the story. Jack lives in the country, but pretends to need to go frequently to the city because of a younger brother named Ernest who gets into scrapes. When he is in the city, Jack goes by the name of Ernest. Jack’s friend Algernon wants to meet Jack’s ward so he goes to Jack’s house as Ernest. It just happens that Cecily, Jack’s ward, and Gwendolen, Jack’s fiancee agree that they could only love someone whose name is Ernest. The two young ladies’ diaries are a source of amusement as the events in the diary are fictional. For example, Cecily records the marriage proposal of Algernon as Ernest, their breakup, and subsequent reunion even though they have never met.
The Importance of Being Earnest was first presented on February 14, 1895. It continues to amuse audiences today in live theater presentations and in a number of video productions.
Rating: 5/5
Category: Drama, Satire
Publication: February 14, 1895—original production
March 1, 1997—Project Gutenberg
Memorable Lines:
The amount of women in London who flirt with their own husbands is perfectly scandalous. It looks so bad. It is simply washing one’s clean linen in public.
I never travel without my diary. One should always have something sensational to read in the train.
Cecily: That certainly seems a satisfactory explanation, does it not? Gwendolen: Yes, dear, if you can believe him. Cecily: I don’t. But that does not affect the wonderful beauty of his answer. Gwendolen: True. In matters of grave importance, style, not sincerity is the vital thing.
Sense and Sensibility–guided reading of a classic
Sense and Sensibility
by Jane Austen
with A Guide to Reading and Reflecting by Karen Swallow Prior
Sense and Sensibility was first published anonymously in 1811; it was Austen’s first book. She was thirty-five. She published three more in her lifetime and two more were published after her death in 1817. Although the focus of this novel is love and marriage, it is not a romance in the modern sense. It is a satire finding humor in the manners and customs at the turn of the century.
The main characters are the pragmatic, self-controlled Elinor Dashwood and her sister Marianne who feels everything deeply and openly. Their financial situation is based on the inheritance system in place at that time in which the eldest son receives the lion’s share of the patriarch’s property and wealth. Thus the young ladies and their mother and younger sister are left with little to live on and are somewhat dependent on an ungenerous half-brother. As the older girls are at marrying ages (19 and 17), the main part of the novel tells of the ins and outs of various suitors and relationships. We watch the characters change and grow as their circumstances alter. The events work to balance out the extremes of character found in Elinor and Marianne.
Karen Swallow Prior takes this classic and becomes a guide for the modern reader. As an English professor, she begins with a thorough introduction befitting her profession. She provides information about the time period, Austen’s background, and the form of the satirical novel. She explains situational and verbal irony as well as free indirect discourse. She also discusses Austen’s Christian background and how a Christian today might view this work. Prior includes footnotes for words, terms, and concepts that harken from the last part of the eighteenth century and might cause confusion or difficulty for a reader in the twenty-first century. As Sense and Sensibility is divided into three “volumes,” Prior follows each section with discussion questions and then ends the book with more general “Questions for Further Reflection.” All of these features improve the reading experience and yield opportunities for a deeper understanding.
Rating: 5/5
Category: General Fiction (Adult), Historical Fiction, Classic
Notes: I found the introduction useful before I began reading Sense and Sensibility, but when I referred back to it in preparation for writing this review, I found it helpful to reread the information as I was able to apply some of it better having completed the novel.
Publication: The novel was originally published in 1811. This edition was published in 2020 by B&H Publishing Group.
Memorable Lines:
From Prior’s Introduction:
Some of its satire is directed at significant human flaws and social structures such as romanticism, greed, falsity, and the prevailing view of marriage as a business transaction. Other objects of satire in the novel are less serious but incur no less delight in being skewered incisively by Austen’s sharp eye and even sharper wit: silly women, idle men, and gossiping tongues.
From the novel:
This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, as Elinor was not blinded by the beauty, or the shrewd look of the youngest, to her want of real elegance and artlessness, she left the house without any wish of knowing them better.
Marianne, with excellent abilities and an excellent disposition, was neither reasonable nor candid. She expected from other people the same opinions and feelings as her own, and she judged of their motives by the immediate effect of their actions on herself.

