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The Storyteller’s Tale–making words come to life

The Storyteller’s Tale

by Judith Bouilloc

translated from French by Madeline S. White 

You’ve heard the expression “make words come to life”? In The Storyteller’s Tale, the librarian Iliad Livrani can do that. She is so talented that the queen invites her to come to the palace to perform. During this same period, a messenger arrives from the palace with an offer of marriage from Lord Tarlyn. The immediate complication to this generous offer is that there are several gentlemen at court with that name. Which one might he be? Iliad is chaperoned by her fire-breathing Granny Cassandra as they travel to the castle and have many adventures. 

Iliad can create visible words that become images and this talent is useful to the king as he tries to transform his kingdom into a parliamentary monarchy. There is the usual infighting in the court and within the royal family. Magical creatures like a flying bird-deer populate this story. Lovers of literature will find pleasure in the various classical choices Iliad makes for her readings. Lord Tarlyn is a mystery man, and there are difficulties because of his character, abilities, and goals. There are reasons for his secrecy, but they are only gradually revealed.

I enjoyed the fantasy world the author created, especially the magic with words. The various creatures and plants were also interesting. There is a romantic hero and a villain, a mystery and a challenge. Iliad and her sisters are strong women with an equally strong sense of right and wrong. Democratic principles are important to them as are reconciliation and feelings. One of the themes is that character is more important than outward appearance.

I received a complimentary copy of this book in exchange for an honest review. Opinions expressed in this review are completely my own.

Rating: 4/5

Category: Middle Grades, Fantasy, Teens and Young Adult

Notes: All of Iliad’s book choices have footnotes to note the author and explain briefly what the work is about.

Publication: August 21, 2024—Rivka Publishing

Memorable Lines:

“The term snatchwords refers to a person who can make sentences detach themselves from paper by reading them aloud. They internalize each word turning them into moving figures and setting by sheer force of imagination.”

The Livrani women were known to express their feelings with great exuberance. Some might say it was their greatest weapon against ill-fortune.

“What I think is that Balthasar is an aristocrat by birth but a democrat by opinion, and as such, he is likely to change things.”

Kita–Part I: Princess of Orith

Kita

Art and story by William Brenner

The protagonist of Kita is Tommy, a boy full of imagination. He fantasizes about the Kingdom of Orith. After school one day, he and his stuffed friend, Mr. Bear, head to the imaginary Green Root where they become involved in a conflict with wolves who are trying to take over the town. Mr. Bear is the last living Keeper, and Tommy is the last member of the King’s Guard. Their roles are to locate the rightful heir to Orith’s throne.

The divisions of the novel are:

Chapter 1: Kingdom in Crisis—attacks and a council meeting to determine Orith’s future 

Chapter 2: Royal Lineage—Thaddius, Chief Librarian of the archives, leads the team on an adventure to prove there is a descendent of the previous leaders

Chapter 3: Adoption—the warrior princess Kita needs a home.

Kita is a graphic novel written and illustrated by the very talented Will Brenner. The story is told with an appropriate combination of drawings and text; sometimes only illustrations are needed to move the story forward. The graphics are very detailed and show well the expressions and moods of the characters. The story moves between Tommy’s real life and the life he creates in his dreams and in his imagination. Although those worlds are very different, they also overlap. For example, the wolves bully the other animal characters, and Tommy’s cousin Ricky and some of Tommy’s classmates bully Tommy. Some of the characters are likable, and others are villains. Kita’s original owner is a prime example of an uncaring pet owner. Tommy’s parents want to be supportive, but are not always successful at trying to understand him. Perhaps they are just overstretched in their responsibilities. I base that perception on the dinners served—mom brings home takeout for their meals.

This is a fun graphic novel that lets the reader escape into a fantasy world. I think middle graders, teens, and young adults would particularly enjoy this trip to Orith. The Epilogue has a great hook to attract readers to return to the series for Kita: Part 2 which is still in the preparation stages.

Rating: 5/5

Category: Graphic Novel, Fantasy

Notes: Middle Grades (ages 10+)

Publication: April 7, 2025—Great Bellows

Memorable Lines:

“Many things aren’t as they should be. But hang on to hope, young Guard of the King. It will be made right, even if it looks different than you expect. And how exciting that you may yet play a part in that.”

The Beatryce Prophecy–finding home

The Beatryce Prophecy

By Kate DiCamillo

Illustrated by Sophie Blackall

I read The Beatryce Prophecy and then listened to the audio version; I found both delightful. A hard-headed, fearsome goat Answelica and Beatryce, a girl whose family is targeted for destruction by a king, share the protagonist role in this medieval fantasy. Strong supporting roles are found in Jack Dory, a young man who was orphaned as a child, and Brother Edik, an outcast of sorts within his own monastery. They befriend Beatryce and help her find her “voice.” 

In the society of this book, women and peasants are not legally allowed to learn to read and write. Since Beatryce can do both, while she is recovering from illness and trauma in the refuge of the monastery, she is urged to disguise herself as a mute member of the order with a shaved head. 

The plot of The Beatryce Prophecy centers on a prophecy received by Brother Edik and recorded by him in the Chronicles of Sorrowing. In addition to sharing the prophecies that come to him as he works, Edik’s main job is to illuminate the first letter of each page of that book. For him it is an opportunity for his creative, often fanciful, side to be displayed. Throughout this novel, name is very important as part of a person’s identity. Because the Order of the Chronicles of Sorrowing have the task of recording events of war and violence, there is a dark side to the book, but there are sprinklings of humor, especially through the goat, and there is a lot of positivity in many of the other characters.

The importance of various kinds of love is a strong theme throughout the book. Trust is also discussed and prized by the characters. The evils of war and of greedy rulers are apparent as is the determination of certain classes to control others by withholding literacy. These are themes that middle schoolers can understand and adults can also appreciate. Although no one can restore dead family members to Bernyce and Jack, the ending of the book shows how society can change and individuals can make good choices.

The book is well written and quite lyrical, especially when read aloud. It has beautiful descriptions and philosophical thoughts. As a storyteller, Bernyce contrives fanciful tales within her own story. The black and white illustrations are perfect to accompany this book which also starts each chapter with an illuminated letter.

Rating: 5/5

Category: Children’s Fantasy, Adventure

Notes: 1. Recommended by the publisher for ages 8 and up. Recommended by Amazon customers for ages 9-12. Amazon lists it as appropriate for grades 3-7.

Publication: September 28, 2021—Candlewick Press

Memorable Lines: 

They had walked through a door hewn into the side of a massive tree, and they were inside it now. For the rest of his life, Jack Dory would remember the wonder of it: what it was like to open a door and enter another world, a world hidden inside of the world he already knew—the impossibility of it, the rightness of it.

“Kings,” said Cannoc, “do not know what they want. Except for one thing, of course: they want to keep being kings.”

We shall all, in the end, be led to where we belong. We shall all, in the end, find our way home.

The Princess and the Goblin–multi-layered fairy tale for all ages

The Princess and the Goblin

by George MacDonald

Ready for another, good-for-all-ages fairy tale? My book club read The Princess and the Goblin by George MacDonald, a Scottish minister, poet, and novelist, who inspired and influenced many authors through the ages including C.S. Lewis, Lewis Carroll, J.R.R. Tolkien, G.K. Chesterton, and Madeleine L’Engle. Like The Chronicles of Narnia, The Princess and the Goblin is first and foremost a fun fantasy tale, beautifully written. As it progresses, layers of symbolism are added with themes of courage, honor, belief, trust, virtue, and faith. As any good fairy tale does, The Princess and the Goblin differentiates between good and evil. Children and adults are living in a rather messy world today where ethics often are blurred, but there are still truths that need to be valued. There are morals that hold us to a standard that forms a good society.

With the author’s great descriptive powers, all of the characters are detailed both physically and morally. The goblins are all evil with designs on the full destruction of the human race. The humans in the story are not perfect, but demonstrate character development based on their experiences.

Irene is a little princess who lives in a country castle. Her noble king-papa visits her regularly as he tours his kingdom staying in touch with his people. Irene discovers her great-great-grandmother living in a section of the castle. No one else has seen her or her rooms. She acts as a God figure in the story, guiding Irene to safety and to belief. A very wise woman, she helps Irene understand that not everyone is ready to believe at the same time. This is apparent in Lootie, Irene’s nurse, who has responsibility for the child’s safety and in Curdie, a clever and brave young miner who befriends and helps Princess Irene. The goblins desire the little princess as a mate for their prince.

There is a lot of adventure in this tale as Curdie works underground (literally) to discover the goblin plots and thwart them. The Princess and Curdie are at odds as he does not initially see what Irene sees because the great-great-grandmother does not actually disclose herself to him.

The settings include a castle with lots of hallways, some beautiful mountains, a small miner’s cottage, pitch black caves where miners toil away picking out ore, and goblin caverns and tunnels. These are the backdrops for the dramatic action of the goblins’ convocation, the Princess’ wanderings, and Irene and Curdie’s courageous rescues of each other. The battle scenes are well played out as Curdie defeats them with poetry and foot stomping.

This is a book that I am sorry I missed earlier in my life. I would love to have shared it with my children and grandchildren when they were younger, but I am happy to pass on the word now to new generations looking for well-written books with substance and value. I look forward to reading The Princess and Curdie, which was written eleven years later, as well as some of MacDonald’s other works (numbering over 50) which encompass a variety of genres. I believe that even reading a biography of this author’s life and influence would be quite interesting as his work did not take a straight forward path. He and his family were plagued with health issues, and despite his success and the admiration of his colleagues, he was not always financially solvent.

Rating: 5/5

Category: Fairy Tale, Fantasy

Publication: November 16, 2010—Project Gutenberg (which includes beautiful illustrations by Jessie Willcox Smith from the 1920 version.
First published by Strahan & Co. 1872
Also published by David McKay Co. 1920

Memorable Lines:

Her fear vanished: once more she was certain her grandmother’s thread could not have brought her there just to leave her there…

“But it wasn’t very good of him not to believe me when I was telling him the truth.” “People must believe what they can, and those who believe more must not be hard upon those who believe less. I doubt if you would have believed it all yourself if you hadn’t seen some of it.”

…Lootie had very foolish notions concerning the dignity of a princess, not understanding that the truest princess is just the one who loves all her brothers and sisters best, and who is most able to do them good by being humble toward them.

The Magician’s Nephew–another C.S. Lewis masterpiece

The Magician’s Nephew

by C.S. Lewis

I entered The Magician’s Nephew not really knowing what to expect. It was written by C.S. Lewis the year prior to the publication of the last book in the series, The Last Battle, which I have not read yet. At the suggestion of a member of our book club who was actually rereading the series, we inserted The Magician’s Nephew immediately before The Last Battle—not because it belongs there chronologically, but because it could perhaps be appreciated better at that point in our reading. I don’t think you could go wrong with any sequence of these books! C.S. Lewis intended it to be read first in his Chronicles of Narnia, but by the time it was first published, many of his readers would have already greedily devoured the first five books. It is indeed a prequel to the delightful The Lion, Witch, and the Wardrobe, but for those who have already read that first classic tale, you will enjoy the “ah ha” moments that arise as Lewis gives you a backstory that renders both subtle and obvious connections. It never has the feel of a book written at the instigation of a publisher who just wants to squeeze more out of a popular series. It seems that it is Lewis’ desire to bring the pictures he has painted in his novels together with cohesion and forward looking vision.

In The Magician’s Nephew, a story which begins in London, you will learn of the creation of the world Narnia, meet Aslan the Lion, and witness the awakening of the Witch. There are many connections to the creation of Earth and its population as found in the Bible; but of course it is Narnia and in this fictional realm we learn how the animals came to talk and see the never changing character of Aslan who reigns with power and love, who grieves for the things that grieve us, and gives us hope during times of devastation.

This book has sad and fearful moments as well as happy and triumphant ones. The humor as the animals plant and water Uncle Andrew in hopes that the poor “plant” will revive is more refreshing to the reader than to Uncle Andrew! The pure evil of Jadis the Witch is the stuff of ancient fairy tales as is the conflict of good and evil. The characters are ones you can feel strongly about. The setting, as always with C.S. Lewis, is so vividly and well described that you can visualize both the “real” world of London and fictional worlds to which the children (main characters Digory and Polly) can transport themselves. As to plot, it constantly throws in surprises, but events are always connected. It becomes a quick read, not because it is short or light reading, but because it is so much fun to read. As with all the books in the series, it can be read as a child enjoys fiction or as an adult looking for deeper meaning. I suggest you read it both ways at once. Come to the story for entertainment and leave with the enrichment of a well-told tale imbued with rich symbolism.

Rating: 5/5

Category: Fiction, Christian

Notes: #1 in The Chronicles of Narnia series, but can be read at any time in the reading of the series. Warning: If this book is your first experience with this series, you will probably want to read more!
This series is often listed as Children’s Fiction, but is really appropriate for all ages with adults reading it on a different level from children. It is perfect for a read-aloud.

Publication: 1955—Harper Collins

Memorable Lines:

For what you see and hear depends a good deal on where you are standing; it also depends on what sort of person you are.

She has won her heart’s desire; she has unwearying strength and endless days like a goddess. But length of days with an evil heart is only length of misery and already she begins to know it. All get what they want; they do not always like it.

For the rest of that day, whenever he looked at the things about him, and saw how ordinary and unmagical they were, he hardly dared to hope; but when he remembered the face of Aslan he did hope.

The Horse and His Boy–excellent storytelling

The Horse and His Boy

by C. S. Lewis

Herein lies the tale of Shasta, abused son sold as a slave. He joins forces with Aravis who is trying to avoid marriage to a much older, ugly, powerful, rich man. Shasta and Aravis devise a plan of escape that includes their Narnian horses who can, of course, talk.

There are many complications on their adventure including mistaken identity for Shasta and recognition of Aravis by an old friend. Lucy and Edmund, characters from The Lion, the Witch, and the Wardrobe, play minor roles in this book as does their big sister Susan. Her rebuff of a suitor, Prince Rabadash, could cause a war.

Aslan, the Lion, appears and disappears, always a part of events as they occur. The characters learn that there is more to happenings than luck or chance. Even those who don’t already know about Aslan immediately feel there is something special about Him when they first encounter Him.

The Horse and His Boy includes characters who are noble and heroic and also those who are traitors. Aslan gives the despicable Prince Rabadash a second chance, and the outcome is perfectly constructed. It is fitting, but I certainly couldn’t have predicted it.

The Horse and His Boy is another storytelling triumph by C.S. Lewis who again has written a book that can be enjoyed on two levels. It is a fascinating fantasy, but it can also be read with religious themes in mind. Regardless of your reading goals, you will enjoy this entertaining fantasy without the intricate world building of current fantasies.

I would like to extend my thanks to NetGalley and to HarperCollins Publishers for giving me the opportunity to read this book in exchange for an honest review.

Rating: 5/5

Category: Children’s Fiction, Christian

Notes: This book is #3 in The Chronicles of Narnia. This series is often listed as Children’s Fiction, but is really appropriate for all ages with adults reading it on a different level from children. The series begins with the highly popular The Lion, the Witch and the Wardrobe, but many readers find each one of the books in the series to be their “favorite” as they encounter it.

Publication: 1954—HarperCollins Publishers

Memorable Lines:

Aravis immediately began, sitting quite still and using a rather different tone and style from her usual one. For in Calormen, story-telling (whether the stories are true or made up) is a thing you’re taught, just as English boys and girls are taught essay writing. The difference is that people want to hear the stories, whereas I never heard of anyone who wanted to read the essays.

“I must have come through the pass in the night. What luck that I hit it!—at least it wasn’t luck at all really, it was Him, and now I’m in Narnia.”

“Child,” said the Lion, “I am telling you your story, not hers. No one is told any story but their own.”

The Silver Chair–the rescue of a prince

The Silver Chair

by C. S. Lewis

Eustace, who became a changed person for the better in C. S. Lewis’ The Voyage of the Dawn Treader, is given another opportunity to visit Narnia. He and Jill, a school friend, escape bullies by slipping through an unlocked gate at the school. Aslan, the Lion, has orchestrated the adventure to send them on a mission to locate the missing Prince Rilian who has been under the spell of a witch for ten years.

They are accompanied by Puddleglum, a Marsh-Wiggle, a delightfully morose character who can always find the potential bad in any situation. Despite his melancholy disposition, he proves to be a loyal, trustworthy, and brave companion. He also provides some levity for the reader during the perilous adventures.

Aslan gives the children four signs to follow. Their intentions are good, but they are not entirely successful. They escape from deceptive, hungry giants and are captured by Earthmen who take them to the Deep Realm in the Underland. When they find Prince Rilian, they have to decide on following his instructions or relying on the signs Aslan has given them.

As in all of The Chronicles of Narnia, The Silver Chair can be enjoyed as a fantasy or with little effort as a tome replete with symbolism. In this allegory, Aslan represents Jesus who is both the Lion and the sacrificial Lamb in the Bible, and the children are his followers. He provides direction and guidance, but his followers still have choices. One outstanding example of the Biblical parallel is when Prince Rilian declare to the children that “Aslan will be our good lord, whether he means us to live or die.” This same sentiment is uttered by Shadrach, Meshach, and Abednego in the Old Testament when they are threatened by King Nebuchadnezzar with being thrown into a furnace. They respond “our God whom we serve is able to deliver us from the burning fiery furnace, and he will deliver us out of your hand, O king. But if not, be it known to you, O king, that we will not serve your gods or worship the golden image that you have set up.” (Daniel 3: 17 & 18 ESV).

The Silver Chair is the fourth book in The Chronicles of Narnia for me. I expected that I would not like any as much as the first, The Lion, the Witch, and the Wardrobe. To my surprise, I have enjoyed all of them almost equally. Each one is fresh and engaging. The setting and characters overlap, but each adventure has the addition of new characters and stands on its own merits.

Rating: 5/5

Category: Children’s Fiction, Christian

Publication: 1953—Harper Collins

Memorable Lines:

“The bright side of it is,” said Puddleglum, “that if we break our necks getting down the cliff, then we’re safe from being drowned in the river.”

And though you might have expected that the idea of having a good time at Harfang would have made them more cheerful, it really made them more sorry for themselves and more grumpy and snappy with each other and with Puddleglum.

“And the lesson of it all is, your Highness,” said the oldest Dwarf, “that those Northern Witches always mean the same thing, but in every age they have a different plan for getting it.”

The Voyage of the Dawn Treader–magical sea voyage

The Voyage of the Dawn Treader

by C.S. Lewis

I absolutely love C.S. Lewis’ The Voyage of the Dawn Treader. It is full of fantastically magical creatures and exciting adventures for Lucy, Edmund, and their cousin Eustace. Although this is not the first book in The Chronicles of Narnia, the reader, whether returning or new to the series, is immediately drawn into the story by the first three paragraphs which describe Eustace, a new and quite unlikable character. As I read, I gradually realized the strong influence of classical literature in this book. The sailing from one unforgettable place to another, sometimes with an escape necessary, is reminiscent of Homer’s The Odyssey, although these interesting characters are clearly Lewis’ own ingenious creations. Royal mermaids and mermen hold a hunt for fish like one might hunt small game in England, but with a trained hawk. The Dawn Treader, belonging to King Caspian and carrying the children and a full crew, is attacked by a sea serpent capable of crushing the ship. There are invisible creatures, the Dufflepuds, who move by jumping wildly from one place to another. With another nod to classical literature, there is a Chief Voice among the Invisibles; his followers echo and affirm him just like a Greek chorus. C.S. Lewis’ literary background and expertise shine brightly in this book.

Woven into the recounting of their escapades, the book has serious themes that are addressed in a distinctly unpreachy way. A major one is greed as Eustace becomes like a dragon hoarding his treasure. Later the group finds pond with water that turns everything it contacts into gold. It also brings out bad character traits, and in the end they all disassociate themselves from the location which they name Deathwater Island. Not surprisingly, greed is also an important theme in The Odyssey.

Although there is not one to one symbolism comparisons between people and ideas found in Christianity and characters and concepts in The Chronicles of Narnia, there are certainly important similar themes. When the travelers need to make important choices, they often find that Aslan has appeared and is staring at them just as Jesus gives his followers wisdom when needed. Chapter 12, “The Dark Island,” is a metaphor for God rescuing us when we are going through dark times. In the last chapter, there is a depiction of going to Aslan’s country (i.e. heaven) and references to the Lion and the Lamb, important symbols in Christianity. These passages are so beautiful; I don’t want to spoil the experience with my own words. You need to read it for yourself as only C.S. Lewis, the inimitable storyteller, can convey the meaning and the feeling with his exquisite word pictures.

Rating: 5/5

Category: Christian, Fantasy

Notes: I read the 50th anniversary edition of the book. The backline illustrations were by Pauline Baynes who was the first illustrator for The Chronicles of Narnia, and the cover art was by Chris Van Allsburg.

Publication: 1952—Harper Trophy (Harper Collins)

Memorable Lines:

Up went the ring, flashing in the sunlight, and caught, and hung, as neatly as a well-thrown quoit, on a little projection on the rock. No one could climb up to get it from below and no one could climb down to get it from above. And there, for all I know, it is hanging still and may hang till that world ends.

“Use, Captain? If by use you mean filling our bellies or our purses, I confess it will be no use at all. So far as I know we did not set sail to look for things useful but to seek honor and adventure. And here is as great an adventure as ever I heard of, and here, if we turn back, no little impeachment of all our honors.”

“I might as well have behaved decently for all the good I did with my temper and swagger.”

Prince Caspian–the return to Narnia

Prince Caspian

by C. S. Lewis

A year after the events of The Lion, the Witch and the Wardrobe, C. S. Lewis returns Peter, Susan, Edmund, and Lucy to Narnia. In Prince Caspian, pulled there by a magical force as they are waiting for their trains to take them to boarding school, they suddenly find themselves in the ruins of their old castle Cair Paravel, hundreds of years later in Narnian time. 

Through many adventures, the children meet Prince Caspian, the rightful king of Narnia, and enthrone him, replacing his usurper, his Uncle Miraz. There is a wonderful cast of characters in this novel. Prince Caspian’s tutor, Dr. Cornelius, is instrumental in helping him escape certain death. The creatures of Narnia range from mythical, such as Bacchus, Dryads, Dwarfs, and Centaurs, to talking animals of a larger size than normal. Reepicheep is a valiant and honorable leader of mice. Trufflehunter is a kind and friendly badger. The mighty lion Aslan appears to Lucy first and the other children don’t believe her. What follows is each one of them coming to believe in Aslan in their own way and a great battle between the Narnians and the Telmarines. 

As the fantasy continues, so do the fun and adventure. I am excited to read another tale by the master storyteller C. S. Lewis. He excels in creation of characters, setting, and plot, and most especially in weaving adventure and theology seamlessly leaving the reader with much to contemplate. 

Rating: 5/5

Category: Children’s Fiction, Christian

Notes: This book is a part of The Chronicles of Narnia. There is debate even today over the order one should read these books in as the series contains a prequel and a book that relates to Narnia but does not include the children as major characters. Having not read the whole series yet, I can not chime in on that debate, but I do strongly encourage the reading of The Lion, the Witch and the Wardrobe, which I suspect will be my favorite, prior to reading Prince Caspian.

This series is often listed as Children’s Fiction, but is really appropriate for all ages with adults reading it on a different level from children.

Publication:  1951—Harper Collins

Memorable Lines:

“Where do you think you saw him?” asked Susan.  “Don’t talk like a grown-up,” said Lucy, stamping her foot. “I didn’t think I saw him. I saw him.”

“Aslan,” said Lucy, “you’re bigger.”  “That is because you are older, little one,” answered he.  “Not because you are?”  “I am not. But every year you grow, you will find me bigger.”

The sort of “History” that was taught in Narnia under Miraz’s rule was duller than the truest history you ever read and less true than the most exciting adventure story.

The Lion, the Witch, and the Wardrobe–a classic

The Lion, the Witch, and the Wardrobe

by C.S. Lewis

The Lion, the Witch, and the Wardrobe is the book most people think of when there is mention of C. S. Lewis’ The Chronicles of Narnia.  It is, in fact, the first book he wrote in this popular series, although later he wrote a prequel. I had read the fantasy many years ago. Reading it again was an absolute delight. The erudite medieval literature professor (at Oxford and later at Cambridge) and Christian theologian was a premier storyteller. He engages the reader regardless of age, in the plot, characters, and setting from the first page where he explains that air-raids during the war send four children out of London to live with an old Professor. While playing hide-and-seek, the youngest discovers a magical world accessed through a wardrobe.

From there proceeds an enjoyable story centered around the forces of good and evil. The White Witch is the epitome of evil—beautiful, but cold and cruel. She is a mistress of trickery ensnaring Edmund, the next to the youngest, in a web of deceit, captivating him with delicious Turkish Delight. Aslan is a lion, and he stands for good, rescuing those turned into statues by the White Witch and sacrificing himself.

Part of the beauty of this masterpiece is that it can be read on several levels. C.S. Lewis says in his dedication of the book that “some day you will be old enough to start reading fairy tales again.” That is where I found myself during this reading, but I also read it for its theological underpinnings. Whatever your purpose in reading, you will find The Lion, the Witch, and the Wardrobe both entertaining and fulfilling.

Rating: 5/5

Category: Fantasy, Christian

Notes: I read the 50th anniversary edition of the book. The backline illustrations were by Pauline Baynes who was the first illustrator for The Chronicles of Narnia, and the cover art was by Chris Van Allsburg.

Publication: 1950—Harper Collins

Memorable Lines:

“And she has made a magic so that it is always winter in Narnia—always winter, but it never gets to Christmas.”

“…if, I say, she had got into another world, I should not be at all surprised to find that the other world had a separate time of its own; so that however long you stayed there it would never take up any of our  time.”

I hope no one who reads this book has been quite as miserable as Susan and Lucy were that night; but if you have been—if you’ve been up all night and cried till you have no more tears left in you—you will know that there comes in the end a sort of quietness. You feel as if nothing was ever going to happen again.